Sunday, 21 October 2012

Serpico - Sidney Lumet

Again, like in Kubrick's example in Shining there is also a dialog where characters are in the middle of shot.

A dialog where we see both characters.

A dialogue between three persons. I noticed how eyes are important to make a cut between the shots of characters.

Frustration:  I like the high angle in that dialog, it represents that the characters are powerless in this story. 


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